NEW YORK (AP) A Japanese family is coming to television, and that’s all thanks to one of the world’s most iconic characters: an old woman from the old New York City apartment building known as the teriyakusen house.
It’s a big-budget show, with its own TV show, but this one is based on the Japanese folktale of the Japanese woman who became a woman in the country.
In a world where the show has been renewed for another season, it is becoming more and more clear that this show, which was a hit in Japan, could easily make a return here, in the United States.
But the teriwaki house is not just about the story.
It is about the cast and the storytellers, and about the place where they are coming from.
Its creator, Toshiro Takada, who is from Osaka, has become something of a folk hero in Japan for his role in creating and developing a new genre in Japanese television, where traditional narratives are translated into new ways of storytelling.
He has helped build a cult following and become an unlikely star, in a country where his work has been often mocked.
He was born in 1932, in Nagoya, Japan.
He moved to America at a young age and later made his first foray into writing, writing his first novel at the age of 19.
His work is in the vein of the folktale and samurai works that are familiar to fans of the stories, and he has written numerous novels and novels that tell the stories of characters from the terikaimashisen house, a place that he describes as “a very old Japanese place” that is “really old.”
The story is told from the perspective of a woman who has lived in the place for generations.
“We were really lucky to find her and to have her,” Takada said of his character, a woman named Tatsuko.
She is the only female character on the show.
The other two female characters are her children, and their mother.
The house has been around since the 19th century, when a young woman named Takashi Takahashi, an apprentice to a house painter, decided to build a house for herself, using materials from the local land.
Her father, a wealthy landowner, agreed to build the house.
Takahashisens father died when she was a young girl, and her mother was not able to pay for the house and her other belongings, so the house was handed over to her children.
Tatsuko was born there in 1934.
She had the same father and was given to the house as a gift.
She grew up to become an apprentice painter, and one day, she and her friends decided to make a video for their friends and relatives.
This was a first, Takada says.
It was very surreal, he said, because the video they made was not only for the friends and family, but also for their own community.
That video, which has been on YouTube since the late 1970s, became one of his best-known works.
When he was a boy, he watched his mother and her children move from one place to another in the same house, he says, “and they did this for thousands of years.
The house is an integral part of my childhood.”
In the show, the children live in the terizaki house with their mother, Tatsuro, and Tatsuka’s siblings, Tsunori, and Satsuko, and they are the only ones who understand the history of the place.
On the show they do their best to understand the story, and make it their own.
For the show’s cast, it was a lot of fun to adapt to a new medium.
Takada made sure to bring Japanese names to the characters.
For Tatsuyo, the character who is the eldest, he brought the family name “Komoe” (a combination of komodo and たま), which means “family.”
Tatuko’s sister, Satsuyu, was named after a popular girl in her neighborhood, Takayuki.
Tatsumi’s name is the word for “bitch,” and it’s the same word that Takayumi’s mother used to curse her in the past.
Even the main character, Totsuko, is named after the original Japanese character, which is the same as Tatsuzas name.
And the characters are the real deal, says Takada.
They are not just the kids who come from the house, but they are actually the main characters of the show who are very important to the story and the characters themselves.
One of the biggest challenges that Takada faced as a writer was how to create characters who could communicate and empathize with the characters and their stories.